BURNING wins more international awards, touted as one of the Oscar’s biggest snubs
Yoo Ah In – BURNING U.K poster
Yoo Ah In’s critically acclaim movie BURNING is a gift that keeps on giving passed the major awards season (read: after the Academy Awards). Since its Cannes premiere, Lee Chang Dong’s film has bagged 86 wins and 180 nominations so far from all over the world under its belt, and is still counting. (See the complete list of accolades received by BURNING in Wikipedia).
In February 2019 alone, BURNING still garnered accolades left and right. The film won Best Dramatic Film at the 2019 American Film Awards, Grand Prix of 2018 at the Belgian Film Press Union, and 3 major prizes from INOCA (International Online Cinema Awards) for Best Non-English Language Film, Best Adapted Screenplay, and Best Supporting Actor. [Note: Belgian Film Press Union is consisted of a hundred Belgian film critics and journalists. The organization praised BURNING as a drama that “treats themes such as the class struggle and compulsive jealousy with a flamboyant direction serving an unpredictable thriller, a rare cruelty, and a virulent critique of an apathetic youth.”]
For sure, we can’t dismiss BURNING’s achievement for making into the Academy Awards shortlist –the first Korean film to do so– though the film didn’t make it to Top 5 finalists which baffled many film buffs to no end. Critics mourned over the result and called BURNING one of the biggest snubs for the Oscar’s best foreign film.
Variety U.S in the article “Oscar Nominations: The 15 Biggest Snubs and Surprises” puts BURNING as one of the biggest snubs, saying:
The South Korean thriller starring Steven Yeun was expected to be one of the foreign film nominees given its rave reviews.
GQ magazine (U.S) says “Burning would have won”:
The cerebral Korean thriller was shortlisted for an Academy Award—and then it was snubbed. So what happened?
Burning has had, by all accounts, a successful year, starting with the record-high jury score of 3.8 at Cannes Film Festival, where it premiered. It continued to garner critical acclaim, and by the end of the year, Steven Yeun was honored as Best Supporting Actor at the Los Angeles Film Critics Association Awards. (Not that that’s a direct indication of an Oscar nod for the film.) Yeun’s chances were a slim shot from the get-go, despite his being a clear front-runner for the category—his performance lacked the showiness of more Oscar-acknowledged roles (he didn’t eat a raw bison liver on a mountainside, for example). But the omission of Burning from the Oscars, especially as a nominee for Best Foreign Language Film, is still perplexing, if not exactly a surprise.
The Rollingstone (U.S) also puts BURNING in “Oscars 2019: 16 Major Nomination Snubs and Surprises” list:
Here are 16 of the biggest snubs and surprises from this year’s list of nominations. Some have been grouped together per film and category, some have been singled out. All of them have us going, “WTF, Academy?!”
Burning: Best Foreign Language Film
The Academy proved that they can think outside of the box a bit when it comes to foreign-language films, nominating two for Best Director this year (Cold War and Roma). But this is often a category with a few wild misses — and ignoring Lee Chang-dong’s masterful Burning singes more than most. It would have been the first Korean movie ever nominated in the section. Was it too odd for them? Too disturbing? Too enigmatic? We’ll never know.
Rotten Tomatoes chimed in with an article that reads, “The Biggest Snubs and Surprises of the 2019 Oscar Nominations”:
Surprise: Germany’s NEVER LOOK AWAY (2019) 77% beats out South Korea’s BURNING (BEONING) (2018) 95% for a foreign language slot.
Director Chang-Dong Lee’s Burning is one of 2018’s most acclaimed films, Certified Fresh at 95%, and has been generating buzz on the festival circuit for months (many even hoped for a surprise Best Supporting Actor nomination for Steven Yeun). On Tuesday morning, though, Lee’s film missed out on a slot in the Best Foreign Language Film category, with director Florian Henckel von Donnersmark’s Never Look Away, representing Germany, sneaking in as a surprise contender.
Prominent film critics also expressed their disappointment via twitter:
BURNING got snubbed the Oscars are a garbage fire 🔥🔥🔥
— david ehrlich (@davidehrlich) January 22, 2019
Some notable #OscarNominations snubs:
Best Picture: First Man, If Beale Street Could Talk
Best Foreign Language Film: Burning
Best Actress: Rosamund Pike
Best Actor: Ethan Hawke, Joaquin Phoenix
Best Supporting Actor: Steven Yeun
Best Documentary Feature: Dark Money, WYBMN?— keithlaw (@keithlaw) January 22, 2019
My immediate thought is: LOL #Oscars. No #Burning in foreign language? No #EthanHawke in best actor? But there are some nice surprises among the nominees. @ADuralde & I will break it all down today in a special episode of the Breakfast All Day Podcast @bfastallday.
— Christy Lemire (@christylemire) January 22, 2019
Honestly, the biggest #Oscars snub is no nomination of any kind for Lee Chang-Dong’s #Burning.
— Angry Asian Man (@angryasianman) January 22, 2019
Film critic Justin Chang of Los Angeles Times met Lee Chang Dong and a Korean film critic directly at the 2019 Los Angeles Film Critics Awards (LAFCA) ceremony, a day after The Academy announced the nominees, and told them, “Lee Chang-dong’s masterpiece is one of the best films I’ve ever seen in 2018, and I can’t help but complain about the Academy’s members’ lack of affection for this film.” He added, “Burning is a critically acclaimed film that critics would like more than audiences would. I can’t deny that Academy members chose Shoplifter and Capernaum because they’re more appealing to public compare to this film, which is a slow and uncomfortable two-and-a half hour and its dramatic or thematic meaning is not easy to accept.”
Earlier in the same month, Lee Chang Dong was invited to The Museum of Modern Arts (MoMA), New York, where all his films were presented. When someone asked him if he was confident that BURNING would make it to the Oscar’s top 5, Lee Chang Dong replied, “I’m not confident. Other preliminary candidates have strong distributors that’s fiercely supporting their work, while my film has a weak distributor, so I’m not optimistic about it.” He said that the influence of big distributors during the Academy Awards preliminary, such as Netflix and Amazon, played bigger part in the evaluation system. “Korean films are still on the doorway/entrance and it will take a while to get past that mechanism. Wouldn’t it be easier next time?”, he said.
Despite the dismay, many people still re-watched and showered the film with praises. Even the Academy Awards winner director Guillermo del Toro (The Shape of Water) joined the fans club and was floored after watching the film just a day before Academy Awards ceremony took place.
BURNING -which I saw this week- is monumental. All cast is fantastic. Its lyricism and sadness permeate your spirit and I -not figuratively- found myself tearing up a couple of hours after screening it. https://t.co/pHvCKkqUpA
— Guillermo del Toro (@RealGDT) February 22, 2019
More impressions from people who watched for the first time and re-watched BURNING the second time:
Saw Lee Chang-dong’s film #Burning today. Got so lost in its labyrinth that I went hunting for articles about it. Most illuminating for me was this, by @ireneehsu + Soo Ji Lee: https://t.co/OnRxACr7hp pic.twitter.com/PYx84vxc1A
— mark cousins (@markcousinsfilm) February 11, 2019
After months of waiting for its release, it feels like Lee Chang-dong’s BURNING has just suddenly hit cinemas and taken me by surprise. Anyway, it’s out today, and it would be one of the best films of the year in any year. Don’t miss it.
— Caspar Salmon (@CasparSalmon) February 1, 2019
But it’s also a portrait, a philosophical wondering embodied by somebody who feels adrift – the central character of Jong-su is fully realised, in his dreams, his social provenance, his desires and his failings. I’m going to use the word ‘Dostoevskian’ here.
— Caspar Salmon (@CasparSalmon) February 1, 2019
I think the film is erotic, too, in a very particular way that stems from its central character. The sex in this film is heavily emotionally charged, in ways that deepen as the film progresses, casting what seemed like fervent fumblings in a new light.
— Caspar Salmon (@CasparSalmon) February 1, 2019
If it’s playing near you (from today!), Burning is an absolute must: one of the greatest, creepiest-as-hell 21st century noirs, swimming in subtext and with a climactic cat-and-mouse set-piece to rival De Palma or Hitchcock. https://t.co/gW3qMLpJ8R
— Robbie Collin (@robbiereviews) February 1, 2019
The conclusions from the film critics by the end of the awards season:
2018 Best Actor Shortlist pic.twitter.com/nPUHsFTX2C
— Nick Davis (@NicksFlickPicks) February 21, 2019
To close out the season:
Eighth Grade
Burning
Crime + Punishment
WIldlife
Private Life
Sorry To Bother You
Hereditary
Leave No Trace
The Rider
The Death of StalinZero Oscar nominations. All so worth your time. Back to loving movies and all they can be. Then forward to 2019.
— Mark Harris (@MarkHarrisNYC) February 25, 2019
On Saturday, Feb.16, OCN broadcast BURNING. The film became #1 Naver top trending topic for 3 hours straight. “Burning ending” and “Jeon Jong Seo” topped the trending topic chart as well. Many people were intrigued by the message behind the story and floored by the film’s ending.
[INFO] #YooAhIn‘s film BURNING was broadcast on OCN last Saturday 190216 and became #1 Naver Trending Topics. Burning Ending at #3 and #JeonJongSeo at #9 spot ☺ #유아인 #버닝 #LeeChangDong
© Mei (don’t reupload) pic.twitter.com/v6PsgJg5Fa
— Yoo Ah In Fanbase (@SIKseekers) February 18, 2019
[Note: After the film was aired in OCN, one Korean YouTuber interpreted the film as a political story, and this interpretation became the most popular ones among young audience. The Youtuber said that Yoo Ah In (Jongsu) represented director Lee Chang Dong and the progressives, Jeon Jong Seo (Haemi) the people, and Steven Yeun (Ben) the conservatives. The film began with Lee Myung Bak administration. Park Geun Hye’s regime was born when Haemi returned from Africa with Ben, and her vanish meant that the new regime killed the people]
This year’s Academy Awards nominees and winners are so complicated and full of controversies, so maybe it doesn’t baffle us much why this masterpiece got snubbed afterall. Regardless of the result, we’re all so proud of BURNING’s tremendous achievement and Yoo Ah In’s performance being recognized and highly regarded among the international movie critics. That’s what they deserved. So, let’s give Team BURNING a big round of applause!👏👏👏👏
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This year’s Oscar is a garbage! Burning got more prestigious awards more than that.
Great storyline and YAI’s performance equal a great movie. Many scenes were obvious (Ben – serial killer). Many scenes left you to your own interpretation, (burning greenhouses, or burning in anger and/or burning in lust when Ben, for what Ben considered just fun, took away Jongsu’s first lay). Will Jongsu ever get this opportunity again 🙂 Does this make a man willing to kill? Many have killed for less, hence, the serial killer who killed women for fun.
If you did not know of YAI, and put his Jongsu (Burning) character next to other of YAI’s character portrayals (The Throne, Chicago Typewriter or for that matter, Secret Affairs), you would not immediately know you are watching the same individual. That is great acting. This movie won so many awards and YAI was nominated (accolades) so many times.
“To each his own.” “One man’s island is another man’s paradise.” A great movie is “in the eye of the beholder.” Many acclaimed beheld and thought it was worthy of awards and accolades. Well done Burning! This viewer watched and enjoyed.